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The Worlds of Gilbert and Sullivan

We won't go into detail about Felix's sheer musical genius in the rolling triplet arpeggios and the four part fugue style chorus. Surfing through several key changes, the gently impassioned middle section finishes peacefully in the original key of G Major. 

The imagery of the Great Omnipotence untiringly presiding over His ancient people, coupled with the magnificent music, is one of sheer spine tingling enjoyment. I've highlighted the four part chorus using woodwind instruments (oboe taking soprano lead) - against an accompaniment of strings. If you want to sing along, nip down to the local library and borrow a copy of the vocal score (or sheet music) - or you may of course have your own copy . . .

But, gosh, I'm rabbiting on. Let's just listen, or sing along if you are familiar with the libretto . . .

He, Watching Over Israel

These are the main quotations Felix uses to form the basis for his libretto . . .

He, watching over Israel,
Slumbers not, nor sleeps,
He slumbers not, nor sleeps.

Shouldst thou, walking in grief, languish,
He will quicken thee.

He, watching over Israel,
Slumbers not, nor sleeps.

Experts are encouraged to tell us from where Felix took his quotations. We ordinary mortals might start by looking up psalm 121. Also, artists among us might be inspired to have a go at putting these images on paper and sharing them with us!

If you want to hear the real thing, get a disc or tape out of the local library (or visit the local Choral Society) and listen to a feast of . . . But here we go again! You must judge for yourself. Let us have your views. 

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